{"id":9409,"date":"2020-04-13T09:01:00","date_gmt":"2020-04-13T09:01:00","guid":{"rendered":"https:\/\/nova.rutesentrerefugis.com\/?p=9409"},"modified":"2024-04-25T10:38:40","modified_gmt":"2024-04-25T10:38:40","slug":"parlem-de-llegir","status":"publish","type":"post","link":"https:\/\/rutesentrerefugis.com\/index.php\/2020\/04\/13\/parlem-de-llegir\/","title":{"rendered":"PARLEM DE LLEGIR"},"content":{"rendered":"\t\t
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PARLEM DE LLEGIR<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Columna escrita per ELISEU T. CLIMENT i publicada a la revista V\u00c8RTEX<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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I no em refereixo a llibres. Parlem de llegir, tamb\u00e9, en termes de cartografia. El mapa es desplega amb tots els seus signes i convencions, un alfabet d’elements gr\u00e0fics que, combinats entre ells, narren el territori. El lector de mapes, com el lector de llibres, ha de ser coneixedor del llenguatge amb el qual es baralla i com m\u00e9s profund sigui el seu domini, m\u00e9s n’apreciar\u00e0 els matisos.<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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En desplegar-ne un full, assisteix a un experi\u00e8ncia geogr\u00e0fica. De sobte, davant seu, una porci\u00f3 de territori m\u00e9s o menys extensa, segons l’escala escollida. S’hi aboca, la desxifra. Una mirada general el porta a entendre la configuraci\u00f3 global de l’espai. Rius, muntanyes, valls, camins i corriols, carreteres, pobles i masies… A vol d’ocell, va passant pels llocs, sense aturar-s’hi. La seva interpretaci\u00f3 parteix de la narraci\u00f3 del territori que el cart\u00f2graf ha fet d’aquest. De sobte, alguna cosa li crida l’atenci\u00f3: aleshores focalitza la mirada i es fixa en un boc\u00ed de terreny que, com un fragment literari, el mapa plasma a partir de la barreja de signes. Les corbes de nivell, foses en una, denoten una orografia escarpada; un barranc impracticable cont\u00e9 una font. Pel seu llit, una l\u00ednia discont\u00ednua indica que hi ha pas, com a m\u00ednim un corriol. Una masia penjada d’un cingle, avui probablement abandonada… A partir d’aquest escenari gr\u00e0fic, el lector de mapes teixeix la seva pr\u00f2pia hist\u00f2ria: s’imagina caminant, desgrimpant, travessant aquell espai abrupte de tr\u00e0nsit delicat, visitant la masia, buscant la font.<\/br>\n<\/br>\nSegueix. La lectura se li fa cada cop m\u00e9s apassionant, perqu\u00e8, a difer\u00e8ncia del text, l’escriptura cartogr\u00e0fica no \u00e9s lineal. S’hi donen cita a l’hora m\u00faltiples capes d’informaci\u00f3 i d’aquesta manera la cartografia resol una de les grans impossibilitats del text, la simultane\u00eftat. El mapa ho mostra tot d’una en un present gaireb\u00e9 absolut, alhora que permet saltar en l’espai sense els constrenyiments d’un fil narratiu. El lector de mapes \u00e9s lliure sobre un territori de paper, navega, torna enrere per un cam\u00ed diferent, pel qual descobreix nous secrets. Basteix la seva pr\u00f2pia experi\u00e8ncia. De nou, s’atura: ara, una paraula, una de les poques que poblen el full, el reclama. Un nom de lloc, un top\u00f2nim li explica una hist\u00f2ria passada o una llegenda; li recorda el propietari d’una partida o la forma i el color d’una muntanya; l’exig\u00e8ncia del terreny i els rigors del clima. Tamb\u00e9 els usos i costums de la zona. El mapa parla de Montserrat, del Puigmal, del Tempestats, de la Maladeta; o de Matadepera (bosc al peu d’una roca) i del Montseny (el Monte signum, o muntanya senyal dels navegants); del Boumort i el fred sobtat que sorprenia el bestiar, de l’escarpat Portell de l’Infern i del rocall\u00f3s Pic Espad\u00e0; de la Fontcalda i les seves aig\u00fces t\u00e8bies, del Forat del Vent o del coll de la Ventosa… I ara \u00e9s l’alqu\u00edmia de la paraula qui li revela el geni del lloc i la percepci\u00f3 que hist\u00f2ricament n’han tingut els seus pobladors.<\/br>\n<\/br>\nEl lector de mapes, cansat, plega el full; tanca un territori. Ha viscut, ha explorat, ha descobert. Dem\u00e0 seguir\u00e0 qui sap per on. La Terra sencera \u00e9s al seu abast.<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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ELISEU T. CLIMENT<\/h4>\n

Treballa com a periodista des del 1993. Primer com a periodista cultural i mediambiental, per centrar-se posteriorment en el periodisme esportiu especialitzat, tot i que mant\u00e9 la primera activitat al setmanari EL TEMPS. \u00c9s cap de redacci\u00f3 de la revista TRAIL, dedicada al trail running; ha estat assessor i col\u00b7laborador de la revista de cultura ciclista VOLATA, i des de 2014 col\u00b7labora amb V\u00c8RTEX, de la qual va ser-ne el cap de redacci\u00f3 a principis dels 2000. Ha col\u00b7laborat, entre d’altres mitjans, a DESNIVEL, GRANDES ESPACIOS, ALTA\u00cfR o VIAJAR. \u00c9s autor de la guia de trail running COLLSEROLA. 20 ITINERARIS PER DESCOBRIR-LA (Editorial Alpina) i coautor del mapa-guia CAVALLS DEL VENT, de la mateixa editorial. Els seus esports s\u00f3n l’escalada, c\u00f3rrer per muntanya, l’esqu\u00ed de muntanya en telemark i la bicicleta en diferents modalitats (carretera, btt, t\u00e0ndem, cicloturisme). La seva passi\u00f3 per la bicicleta des del 1982 l’ha portat a viatjar arreu: Isl\u00e0ndia, Finl\u00e0ndia a l\u2019hivern, Marroc, Ben\u00edn, Cuba… i els principals pa\u00efsos i massissos europeus. Per a ell, el ciclisme \u00e9s, abans que res, una experi\u00e8ncia geogr\u00e0fica. \u00c9s per aix\u00f2 que va crear el 2015 la CAT700, una aventura en autosufici\u00e8ncia que travessa Catalunya de Nord a Sud. Ha estat l’impulsor de la modalitat de ciclisme de grava a Catalunya, el gravel, com a via de descoberta i exploraci\u00f3 territorial. El 2013 va crear la seva pr\u00f2pia marca de bicicletes a mida, GRAVEL CYCLES, que dissenya ell mateix.<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Per si vols compartir aquesta columna<\/u><\/font><\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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ARTICLES PUBLICATS PER L'AUTOR<\/u><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tEL TERRITORI EN PARAULES\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tELS CAMINS DE LA HIST\u00d2RIA\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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PARLEM DE LLEGIR Columna escrita per ELISEU T. CLIMENT i publicada a la revista V\u00c8RTEX I no em refereixo a llibres. Parlem de llegir, tamb\u00e9,<\/p>\n","protected":false},"author":24,"featured_media":9410,"comment_status":"open","ping_status":"open","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[5124,6254],"tags":[5234,5236,6256,6258,6260],"class_list":["post-9409","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog","category-eliseu-t-climent-ca","tag-columnas-ca","tag-columnes-ca","tag-eliseu-t-climent-ca","tag-hablemos-de-leer-ca","tag-parlem-de-llegir-ca"],"yoast_head":"\nPARLEM DE LLEGIR - Rutes Entre Refugis<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/rutesentrerefugis.com\/index.php\/2020\/04\/13\/parlem-de-llegir\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"PARLEM DE LLEGIR - Rutes Entre Refugis\" \/>\n<meta property=\"og:description\" content=\"PARLEM DE LLEGIR Columna escrita per ELISEU T. 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