{"id":9461,"date":"2020-11-11T08:53:00","date_gmt":"2020-11-11T08:53:00","guid":{"rendered":"https:\/\/nova.rutesentrerefugis.com\/?p=9461"},"modified":"2024-04-25T10:35:23","modified_gmt":"2024-04-25T10:35:23","slug":"el-nomada","status":"publish","type":"post","link":"https:\/\/rutesentrerefugis.com\/index.php\/2020\/11\/11\/el-nomada\/","title":{"rendered":"EL N\u00d2MADA"},"content":{"rendered":"\t\t
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EL N\u00d2MADA<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Columna escrita per ELISEU T. CLIMENT i publicada a la revista V\u00c8RTEX<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Va deixar la casa i la feina. Va marxar lleuger d’equipatge. Una bicicleta negra d’acer, dues alforges de cuir, roba, una llibreta i una c\u00e0mera fotogr\u00e0fica. Era l’any 1962, tenia 22 anys. Baix d’estatura, de mirada incisiva, apuntava les experi\u00e8ncies, els encontres i els llocs de pas. Aquests \u00faltims, tant sobre paper com sobre els tubs de la bicicleta: les ciutats importants, en els principals; els indrets secundaris, en els tubs de segon ordre. Van transc\u00f3rrer les d\u00e8cades i no va deixar de pedalejar sense presses i, molt sovint, amb un rumb canviant. Tenia tot el temps del m\u00f3n, i aix\u00ed va circumval\u00b7lar tres vegades el planeta. Heinz St\u00fccke va passar per Barcelona el 2006 i vaig tenir la sort de compartir un mat\u00ed amb ell. All\u00f2 que per a mi es resumia en un estat d’excepci\u00f3, el nomadisme, per a Heinz havia esdevingut la seva condici\u00f3 existencial. Fa dos anys, vaig visitar-lo a una casa prestada a les portes de Par\u00eds. Tenia 73 anys. El n\u00f2mada s’havia sedentaritzat i no s’hi trobava. Necessitava moure’s. Vaig passar-hi dos dies. La seva vida es condensava en una min\u00fascula habitaci\u00f3: un llit, la pesada bicicleta negra d’acer, caixes de mapes, un arxiu amb m\u00e9s de 100.000 diapositives, apunts i reflexions penjats a la paret, fotografies, postals, llistes de contactes escrites a m\u00e0 i mapes dibuixats amb cadascuna de les seves rutes. Tot, absolutament tot, parets i sostre, estava folrat d’aquests elements tan heterogenis i inconnexos com els seus propis pensaments.<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Vaig dormir a terra, dins la seva cambra biogr\u00e0fica, la cavitat cranial del n\u00f2mada. Des del meu sac, m’obsedia la idea que aquelles quatre parets, que feia anys que no veien la llum del dia, contenien un planeta sencer, episodis de la hist\u00f2ria contempor\u00e0nia viscuts en pr\u00f2pia pell i, sobretot, el sentit profund de la itiner\u00e0ncia.<\/br>\n<\/br>\nHeinz \u00e9s l’encarnaci\u00f3 del ca\u00e7ador-recol\u00b7lector, sense sostre fix, o de l’\u00e9sser hum\u00e0 en el seu estadi primigeni. La seva \u00e0nima \u00e9s err\u00e0tica, impregnada de moviment continu. En la deambulaci\u00f3, el n\u00f2mada hi viu. Per contra, el sedentari, quan es despla\u00e7a temporalment fora del seu context, viatja. La travessa, el viatge, l’escapada, a qu\u00e8 tots, tant vosaltres com un servidor, som addictes, comporten en el seu sentit intr\u00ednsec un origen i una destinaci\u00f3; un inici i un final. Representen lapsus o illes enmig d’una vida est\u00e0tica. Llic\u00e8ncies existencials i contrapunts temporals que ens fan vibrar en moments puntuals de la nostra exist\u00e8ncia.<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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S\u00f3n parcel\u00b7les de temps planificades, bloquejades a l’agenda. Hi treballem amb antelaci\u00f3. Planifiquem, tanquem etapes, reservem bitllets. La nostra voluntat \u00e9s escapar al funcionament rutinari del dia a dia. Ho fem, aparentment. Preparem la motxilla o les alforges per a uns dies d’austeritat: hi encabim all\u00f2 necessari i imprescindible, tan relatiu segons persones. Ordenadament, tot hi pren el seu lloc, per\u00f2 curiosament aquest es replica cada mat\u00ed del viatge, de manera rutin\u00e0ria, quan tornem a muntar el trencaclosques del nostre equipatge; com tamb\u00e9 repliquem gestos i actes, horaris i rituals. No podem fer-hi m\u00e9s: amb o sense companyia, bastim una societat, un ordre regulador de l’exist\u00e8ncia. Som aix\u00ed, robinsons del nostre temps.<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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ELISEU T. CLIMENT<\/h4>\n

Treballa com a periodista des del 1993. Primer com a periodista cultural i mediambiental, per centrar-se posteriorment en el periodisme esportiu especialitzat, tot i que mant\u00e9 la primera activitat al setmanari EL TEMPS. \u00c9s cap de redacci\u00f3 de la revista TRAIL, dedicada al trail running; ha estat assessor i col\u00b7laborador de la revista de cultura ciclista VOLATA, i des de 2014 col\u00b7labora amb V\u00c8RTEX, de la qual va ser-ne el cap de redacci\u00f3 a principis dels 2000. Ha col\u00b7laborat, entre d’altres mitjans, a DESNIVEL, GRANDES ESPACIOS, ALTA\u00cfR o VIAJAR. \u00c9s autor de la guia de trail running COLLSEROLA. 20 ITINERARIS PER DESCOBRIR-LA (Editorial Alpina) i coautor del mapa-guia CAVALLS DEL VENT, de la mateixa editorial. Els seus esports s\u00f3n l’escalada, c\u00f3rrer per muntanya, l’esqu\u00ed de muntanya en telemark i la bicicleta en diferents modalitats (carretera, btt, t\u00e0ndem, cicloturisme). La seva passi\u00f3 per la bicicleta des del 1982 l’ha portat a viatjar arreu: Isl\u00e0ndia, Finl\u00e0ndia a l\u2019hivern, Marroc, Ben\u00edn, Cuba… i els principals pa\u00efsos i massissos europeus. Per a ell, el ciclisme \u00e9s, abans que res, una experi\u00e8ncia geogr\u00e0fica. \u00c9s per aix\u00f2 que va crear el 2015 la CAT700, una aventura en autosufici\u00e8ncia que travessa Catalunya de Nord a Sud. Ha estat l’impulsor de la modalitat de ciclisme de grava a Catalunya, el gravel, com a via de descoberta i exploraci\u00f3 territorial. El 2013 va crear la seva pr\u00f2pia marca de bicicletes a mida, GRAVEL CYCLES, que dissenya ell mateix.<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Per si vols compartir aquesta columna<\/u><\/font><\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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ARTICLES PUBLICATS PER L'AUTOR<\/u><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tEL TERRITORI EN PARAULES\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tABRUPTA I SOLIT\u00c0RIA\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tUNA HIST\u00d2RIA DE TRINXERES\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tELS CAMINS DE LA HIST\u00d2RIA\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tEL N\u00d2MADA\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tEL REFUGI\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tPARLEM DE LLEGIR\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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